![]() By 1990’s “The Rescuers Down Under” he was an effects supervisor, which is even more impressive if you consider that the “Rescuers” sequel was working with a new, largely unproven technology called CAPS, co-developed by Pixar and meant to revolutionize the way traditionally animated movies are put together and colored. Fullmer joined Bluth on his then-groundbreaking videogames “Dragon’s Lair” and “Space Ace.” Fullmer also worked on animated segments for “Sesame Street” and provided effects animation for Tobe Hooper’s live-action space vampire epic “Lifeforce.”Īfter working on the Disney-adjacent “The Brave Little Toaster” (which Disney didn’t produce but ultimately released), he was hired to work on the animation-heavy climax of “Who Framed Roger Rabbit.” It was meant to be a three-month contract job but he was soon working as an effects animator on “Oliver & Company,” the next Disney animated feature and the first one overseen by the company’s new leadership team of Michael Eisner, Frank Wells and Jeffrey Katzenberg. ![]() After Fullmer graduated in 1974, he spent time working with Don Bluth, the Disney hotshot whose departure from the studio nearly crippled the animation department. Over his nearly two decades at Disney, he did everything from work on the Toon Town portion of “Who Framed Roger Rabbit?” (his first gig at the studio) to working as an artistic coordinator on “The Lion King” to producing full Disney features like “The Emperor’s New Groove” and “Chicken Little.” A key and unsung player in the Disney Renaissance of the ‘80s and ‘90s, Fullmer’s legacy will live on.įullmer, who died July 10, in Woodland Hills, California, attended the California Institute of the Arts, a school co-founded by Walt Disney. Randy Fullmer, an effects animator, visual effects supervisor, artistic coordinator and producer who worked at Disney for almost 20 years, has died after a lengthy battle with cancer.
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